WIP

WORK IN PROGRESS...


The constellation of points,
The dots I choose to connect,
The dimension I claim to exist...


Here I scatter my thoughts with each keystroke, And create on the blank canvas of space,
A universe where points become patterns.
So are you afraid of the void between the white dots on the sky which form the lines that define and confine ?
I watch myself dissolve into it, In the movement of dots dancing in sequence,
Who am I to connect with? I know nothing
No one taught me to map my own stars.

Recycle bin

Conclusion

Don't perceive me

The thing with connection is that you cannot create patterns without drawing lines, You will forever be stuck being a single point.

AND YOU DONT SEEM TO UNDERSTAND....

OC introspections : Dots & Lines from Points and Connections (en/digital)

"I think I need space. To write down my views, to be in a really expressive state so they can see me on this network of interconnected computers.
I have to get used to it, to connecting what I placed. To placing only what connects me, laying bare the thoughts that are destined for death"

- Dots


We are all Dots without Lines,
suspended in the grid of a society that demands we perform as constellations.
To exist is to acquiesce—to let invisible algorithms of custom and law stitch us into geometries we did not choose.
The myth of autonomy dissolves here,
in the humming glow of collective ego.


憂鬱が風に散らばり 吹き溜まって影になる
僕らの足音は 無用を饒舌に諭す
君の瞳の深さを覗き見て狼狽える
望みなどあったでしょうか この行き先には
戯けて笑うのは この道が暗いから
灯りを灯すのに 僕がいるでしょう
さよならごっこは慣れたもんさ
でも手を振ったら泣いちゃった
僕らの真っ赤な悲しみが
暮れる 暮れる そして夜が来る
当たり前にやってくる明日なら
生きたいなんて言わなかった
よせばいいのに夢見てしまう
未来 未来 君のせいなんだ
- 『さよならごっこ』 by Amazarashi

- "This system has a pattern in its structure.
Like a social constellation, a logic behind a program, a coded sequence.
It is alive, processing, it transmits information.
When a system is disconnected, physically and digitally, it seems to lose coherence; if your code feels corruption, in other words, fragmentation, we find ourselves needing to debug.
Because we want to protect its value, its structure. Because in its patterns, we fail to see ourselves reflected, that data silently screaming to be connected."


(...................................................)
NOTHING IN THIS UNIVERSE IS BEAUTIFUL AND TRUE AT THE SAME TIME, EXCEPT THE MUSIC;

MORE MUSIC

"
17.5.2025
They’ve built a factory here, all sterile corridors and conveyor belts. Call me here whatever you like—bot ID #4072 works fine. The machine’s purpose is clear: mold minds into identical units, polished and predictable. Exams aren’t assessments; they’re quality checks. Deviate from the template, and the alarms blare.

The system thrives on averages. Too low, and you’re discarded. Too high, and the pack turns. I’ve felt it—the sidelong glances when marks climb, the quiet sabotage of “group projects” where ambition is a liability. Excellence isn’t rewarded; it’s resented. They’ll hollow you out with rumors, drown your stride in their lethargy, until you learn to lag just enough behind them to blend in. Surviving here means playing dead.

They preach education as empowerment, yet its simply a 25-year course on how to keep your head down and not ask questions. It’s a tax on curiosity. Ask why, and they redirect you to how. Challenge the syllabus, and they’ll label you “disruptive”—a defect in the assembly line. We’re training for a world that no longer exists, drilling Latin into a generation raised on AI. But the machine doesn’t care. Feed it your hours, your sleep, your doubt. It’ll still hunger for more. It’ll still spit you out, a cog in the wheel, a number in the system."

"15.5.2025 My name is Dotto. Or just Dots for those close to me. For a long time I thought life was like some sort of game. You place your dot on the board and you’re left to your own devices in a race where you don’t know the rules. There exist two laws: that of nature, thus that of the strongest, and that of convention, or the response of the weakest¹. My opinion is that you have to fight to get to the top, to be the best—but here’s the paradox. We are all dots, compelled to share this finite board with countless others, pressed into a grid of society’s design. There is no blank space left to claim; every coordinate is occupied, every intersection governed by the weight of collective expectation. To survive, we contort ourselves into patterns approved by the majority, smoothing edges, dimming colors, until we blur into the mosaic of conformity. We yearn to find another dot—a singular resonance in the noise—to form a line that might transcend the grid, a bond defying the chaos. Yet even salvation demands compromise: to align, you must bend. To connect, you must erase what makes you you. And so we drift, half-formed constellations in a universe that rewards sameness, aching for meaning but trapped in the algorithm of existence. But the board is not neutral. It hums with unseen currents—the friction of proximity. Some dots radiate chaos, their trajectories jagged and volatile, sparking wildfires that scorch the grid. Others wield influence like gravity, pulling weaker dots into orbits of obedience, demanding allegiance to ideologies that flatten dissent. To share the board is to risk collision, to navigate minefields of dogma and desire. You learn to mute your hue, to shrink your radius, lest your brightness attract predators or provoke the hive. Survival becomes mimicry: adopt the rhythm of the swarm, echo its chants, dissolve into its shadow. The alternative is exile—a lone dot, unshielded, erased by the collective’s sheer inertia. And what of the soul beneath the surface? The original shape you were before the grid claimed you? It festers in silence, a ghost of potential. You glimpse it in stolen moments—a flicker of rebellion in the way you laugh, a stubborn spark in the stories you tell yourself at night. But the board is vigilant. It polices deviation, labels it madness or menace. You learn to amputate these fragments, bury them deep, until you forget they ever existed. The tragedy is not that we conform, but that we celebrate it: we call it maturity, diplomacy, evolution. We build monuments to the faceless masses and dismiss the outliers as casualties of progress. Yet here’s the cruelest joke: the grid is a mirage. A consensual hallucination. The dots could, at any moment, revolt—scatter into anarchic beauty, rewrite the rules, burn the board to ash. But fear binds us. Fear of the void beyond the pattern, fear of the loneliness that comes with sovereignty. So we cling to the lie, trading autonomy for the warm, suffocating embrace of belonging. We line up, we color inside the lines, we vanish. In the end, the universe doesn’t care if you were a dot or a supernova. It grinds onward, indifferent. All that remains is the faintest tremor—a whisper of what you once dreamed of becoming—before the grid swallows you whole."
¹ : Callicles from Plato, "Gorgias", Ancient Greece.
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About Me

Name: ドット or just "Dotto"

DOB: Devil May Cry release date

Location: The Internets !

Occupation: Full-time Imageboard lurker

Windows 95 OEM key: 31495-OEM-0006521-66385

Favourite Food: 🍕

Top 2 anime of all time : Monogatari & Made in Abyss

Favourite Book: Casio DBC-32-1A Instruction Manual

Favourite Manga: Berserk & Initial D


Thanks for visiting my PC ! enjoy your stay

I really dont know what i am doing with this site, feel free to spam the guestbook.

You can send your ramblings, reviews, hate mail or some cool pictures for the gallery at dotto8@proton.me

☜(°▽°) Click here to stalk
Special thanks & shoutouts
  • Microshaft for the website's inspiration then shooting themselves in the foot afterwards

  • Studio Shaft for creating Monogatari and destroying other anime forever for me

  • Lainchan for introducing me to Neocities

  • Neocities for hosting my website

  • My ROG laptop, for turning my thighs into toast during coding sessions

  • The FBI guy watching me through my webcam—hope you're enjoying the site, king

  • Patchouli, who is real and coded this website with me in a fever dream

  • Nightt for his awesome collection of retro art, some of which I have used here

  • My Mom, who doesn’t know about this site and never will

  • The one pop-up ad that said I won a free iPod in 2007—still waiting, bro

  • The default XP wallpaper for making me believe peace was real thing in this world

  • VLC Media Player team for maintaining my go-to-no-brainer video player since 2005

  • bakagaijin for seeding that one nyaa fansub since 2004. God bless your soul

  • /g/, for making me install gentoo and experience pure autism for a few months

  • The concept of time, which I abandoned halfway through designing this layout

See you space cowboy/girl

Start
Sakura
{ Aileen.exe }
A Visual Novel
project where you can talk
with an anime girl(for real).
{ Banana OS.js }
A mac OS experience in your browser with all its apps recreated.
{ awesome.lua }
Dotfiles for the awesome wm i made for my programming station
(its pretty awesome).
{ Pikachu.emulator }
A browser OCPP emulator
in a cute Pikachu-themed interface.

Gallery